Porn, art and censorship
Wednesday, February 24, 2010
By Matthew Irwin
Last Thursday, the Art Association hosted a panel on censorship of art that, though well-intended, left important questions unasked and veered too quickly towards pornography.
On Monday, pop art aficianado Andrew Munz (who is covering the Oscars on page 23) and I sat down to talk about some of the things we would have liked them to address. Here’s what I got out of the conversation (Munz will discuss his takeaway at
www.andrewmunz.wordpress.com):
First, the panel discussed censorship of child porn and bestiality as an extreme to confront the question, “Should anything be censored?”
In addition to failing to acknowledge that, unlike porn involving consenting adults, those are illegal activities whether or not the materials are filmed and distributed, the panel jumped right over the obvious question: To what degree are representations of child porn or bestiality censored in art and to what degree should they be? Then, does explicitness bother us, or intensity of suggestion?
Is the image of a teenaged boy posing suggestively in his Tommy Hilfiger underwear on a block-length Times Square billboard (as I have seen) less sexually charged than a statue of a nude adult man, say Michelangelo’s David? Is it the art that’s vulgar, or our image of sexuality?
Perhaps we can’t say what should be censored in art, until we’ve determined what constitutes art. I read a blogger recently who said he was against censorship of art until he learned how much “crap” is out there.
So bad art should be censored? What defines bad art?
Meaning defines any art, even over craft. Without meaning, the work is a decoration or an advertisement. Unfortunately, I don’t get to make final decisions on these things, and I have no guidelines to offer on censoring decorations or advertisements.
But it’s important to think about, because while the debate itself gives art value and advocates for national tolerance (Allen Ginsberg’s poem, “Howl,” for instance), the process can censor certain works because of the taste of a few individuals, especially if blanket definitions are accepted.
On works that do pass the initial trial as “art,” who gets the final decision on what’s available for public consumption - artists, critics, parents? Is it the same thing to censor an artwork as it is to shield someone considered to be too young?
The Motion Picture Association of America says that the bloody Quentin Tarantino film, Inglourios Basterds, and the romantic comedy starring Meryl Streep and Alec Baldwin, It’s Complicated, should both be Rated “R” – one for violence, the other for Alec Baldwin’s ass.
Is art censored in Jackson Hole? I have had conversations, the details of which remain off-the-record, confirming that certain individuals of influence occasionally deem materials unsuitable for locals audiences. Thankfully, they don’t always get their way.
Then last week, JH Weekly art columnist Aaron Wallis accused me of censoring him, after I told him that his latest would run sans a slang term for sexual foreplay that I find difficult to say even among my closest friends. “You probably call it editing,” he said.
I considered our audience, and faulted his usage as shocking only, but I’d be willing to discuss whether his verbal expression of a sex act should be considered porn or art, and then if it should be allowed to appear in print. JHW
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Porn, art and censorship | Planet JH News Article: Editorial
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